The majority of mixing engineers and music producers typically conduct their mixing processes on a computer utilizing a keyboard and mouse, commonly referred to as working “in the box.” While this approach is widely adopted, there are several drawbacks associated with relying solely on a traditional mouse for mixing that may not be immediately apparent.
To begin with, when mixing within your Digital Audio Workstation (DAW) using only a keyboard and mouse, you are generally limited to adjusting one parameter at a time. You may be able to modify the panning of a track or alter its volume, but this method imposes significant constraints.
Now, I encourage you to close your eyes and recall the era when seasoned engineers operated large mixing consoles.
It is likely that you envision them with both hands engaged on the console, making multiple adjustments at once. Professional engineers often possess the ability to balance and refine several tracks in what appears to be an instant.
Attempting to replicate this process using a mouse, adjusting one fader at a time, would yield a markedly different experience.
For many individuals, effective mixing necessitates the use of both hands, which is why control surfaces can prove to be invaluable. However, it is important to note that not all control surfaces are created equal, and with the plethora of options available in the market, selecting the most suitable one for your requirements can be somewhat daunting.
To assist you in this endeavor, I have compiled a list of some of my preferred DAW controllers, complete with detailed reviews, to provide you with a clearer understanding of what you may be seeking.
Best DAW Controllers Reviews
1. Presonus Faderport 16
The FaderPort 16 is equipped with an impressive array of features, making it one of my preferred DAW controllers available.
To begin with, this device integrates 16 fader channels into a compact design, ensuring it does not occupy excessive desk space, thus preserving valuable real estate in your home studio. Its relatively small footprint allows for simultaneous adjustments of multiple controls, transforming the mixing experience from a guessing endeavor into a seamless and intuitive workflow.
Manipulating a fader while fine-tuning filter settings or adjusting effects sends enhances the musicality of the process. Additionally, similar to many DAW controllers featured in this discussion, it encourages reliance on auditory feedback rather than visual cues, which significantly enhances the quality of your mixes.
At the core of the FaderPort 16 are its 16 motorized faders, which provide an authentic console-like experience. These touch-sensitive faders, measuring 100mm in length, closely resemble those found on high-end large-format mixing consoles.
The onboard faders can be utilized to manage your signal’s volume, akin to the faders in your DAW. However, their versatility extends to panning, plugins, sends, and virtually any other control you can conceive.
For those on a budget or seeking a more straightforward setup, the FaderPort family also offers eight-fader and single-fader versions. Furthermore, it is bundled with Studio One Artist, adding unexpected value to the package.
Upon first using the FaderPort 16, I was instantly captivated by the convenience of having this unit at my disposal during mixing sessions. It provides impeccable DAW control and feels excellent in hand.
The 16 faders offer extensive control and flexibility, although I would appreciate a more sophisticated digital display from the developers at PreSonus.
In conclusion, when compared to other DAW controller options within the same price bracket, the FaderPort 16 truly distinguishes itself. It is challenging to find 16 motorized faders along with such an array of features at this price point.
2. Softube Console 1 Fader
Softube is renowned for achieving an exceptional integration of software and hardware, providing mixing engineers with a remarkably hybridized workflow. The company’s hardware is designed to complement its software seamlessly, resulting in a significantly enhanced workflow experience.
Contemporary producers and mixing engineers have largely adapted to the ‘in-the-box’ approach, often utilizing stock and third-party plugins to substitute for traditional hardware. However, it is important to acknowledge that relying solely on a keyboard and mouse may not always yield the most effective results.
The Console 1 Fader offers an impressive array of 10 motorized faders, each of which can be fully customized to suit individual preferences. It connects via a USB-A port, and all faders are touch-sensitive.
This feature ensures that when a fader is touched, the corresponding channel illuminates in the software, providing a clear indication of the active channel. This innovation significantly enhances usability, preventing users from becoming disoriented amidst numerous channels, which can hinder productivity.
Moreover, the Fader 1 extends beyond merely controlling volume faders and automation within your DAW. By utilizing the included tools, users can immerse themselves in the rich Softube ecosystem, benefiting from its warm analog sound. Additionally, there are various other functions that not only enhance your mixes but also streamline your workflow.
It is advisable to consider pairing the Fader 1 with the Console 1, as this combination creates the sensation of operating a comprehensive mixing console. However, it is worth noting that when the Fader 1 is used independently, it may lack certain visual indicators, which could pose a challenge for those acclimating to a DAW controller.
3. Icon QCon Pro G2
The ICON MIDI controller, known for its advanced features and affordability, made its debut in 2018 and continues to gain popularity today.
The Pro G2 MIDI controller is designed to free users from reliance on a mouse and keyboard, providing an authentic mixing experience. In terms of both workflow and functionality, the Pro G2 presents an excellent solution. Its eight onboard faders allow for effortless navigation across different sections, enabling users to produce well-balanced mixes with enhanced efficiency.
Each fader is paired with a distinct set of buttons, each serving unique functions.
Additionally, it is important to highlight its compatibility with HUI and Mackie Control, ensuring smooth integration with most digital audio workstations (DAWs). Complementing these features is an aesthetically pleasing LED backlit design, a jog wheel for swift control and navigation, and a high-speed USB 2.0 port, making it an exceptional unit at an outstanding price.
Overall, I found that the Qcon significantly enhanced my workflow. The LCD screen effectively displayed the names of my channel strips, while the fader bank button enabled me to swiftly switch between eight channels at once.
Additionally, the rotary encoders facilitated rapid adjustments to pan and EQ settings. The transport controls operated seamlessly in both Pro Tools and Logic. The Jog wheel integrated flawlessly with Logic without any need for configuration. Although the Jog wheel initially did not function in Pro Tools, a simple firmware update from Icon resolved the issue. It is reassuring to see that they are attentive to user feedback and actively releasing updates.
An additional amusing peculiarity is that each time I selected a channel strip in Logic using the Qcon, the editing window for the plugin located in my first insert slot would automatically open. Although Icon indicates that this is not standard behavior, I did come across several other individuals online who experienced the same issue.
4. Presonus Faderport V2
FaderPort provides exceptional tactile control for mixing and automation through its motorized 100 mm touch-sensitive fader, enabling real-time volume adjustments and automation, alongside 24 buttons that feature 40 built-in functions.
All of these capabilities are housed within a compact chassis, making it an ideal fit for even the most limited desk spaces.
With a simple touch, you can manage track levels or swiftly zoom in on audio files for editing purposes. Its design promotes an efficient workflow, enhancing your current mixing techniques with an intuitive interface.
Although you will still rely on your mouse and keyboard for the majority of mixing tasks, FaderPort facilitates hands-on mixing activities, delivering a more tactile experience.
The Session Navigator grants straightforward access to eight key mixing functions, while the accompanying buttons and the large encoder button collaborate to expedite your mixing and editing processes.
You can adjust track sizes, utilize the arrow buttons for precise modifications, measure by measure, and effortlessly zoom in and out on the timeline with the encoder, allowing for smooth navigation across the timeline.
Once you begin utilizing the Session Navigator, you may find it hard to imagine mixing without it.
In summary, for those with project studios constrained by limited desk space, it serves as an excellent tool for recording automation and making swift adjustments to your projects.
It is important to note, however, that FaderPort is equipped with only one fader, which may present certain limitations when compared to other DAW controllers available.
5. Korg nanoKONTROL 2
The Korg nanoKONTROL2 is a remarkably streamlined and compact control surface designed for digital audio workstations (DAWs), offering management of eight channels across various platforms. Its design allows it to fit seamlessly in front of your laptop or desktop keyboard, and it operates efficiently with a single USB connection, maximizing functionality without occupying excessive space.
Each of the eight channels is equipped with a fader, a knob, and three switches, which are preconfigured for essential functions such as volume, pan, mute, solo, and record. Users have the flexibility to reassign these controls for alternative tasks, such as adjusting envelopes or filters on a virtual synthesizer. Additionally, it features a dedicated section for transport controls.
Powered through USB, the device can also be connected to an iPad with the appropriate adapter kit. Users can download software to personalize the settings of the knobs and faders, and it includes licenses for three virtual instruments, making it an excellent starting point for beginners in music production.
In comparison to other control surfaces, it is notably affordable and highly portable. However, a potential drawback is its lack of intuitive design.
Unlike many competing DAW control surfaces, the nanoKONTROL2 does not feature motorized faders. Nevertheless, for those seeking an economical solution to enhance their DAW control, this device may be an ideal option.
The complete range of features available in the original nanoSeries was exclusively accessible through the Kontrol Editor software, and this remains unchanged. However, there are some modifications for the new devices.
The earlier version of the nanoKontrol included attack and release settings for its buttons, which allowed for gradual fading of CC changes; these features are no longer present. Your personalized configurations can now be saved directly on the device, ensuring that your mappings are readily available regardless of the device you connect to, including iPads.
It is advisable to download the Kontrol Editor prior to purchasing a nanoDevice to familiarize yourself with its mapping capabilities.
Final Word
Controllers have increasingly become a prevalent feature in contemporary studios, and the reasons for this trend are clear.
They not only enhance the efficiency of your workflow but also contribute to significant time savings that would otherwise be lost if one were to depend exclusively on a mouse and keyboard. Whether utilizing a compact single-fader DAW control surface or a comprehensive 16-fader DAW control surface, the additional physical support is invariably advantageous.
